How Chitra Banerjee’s Independence Does Justice To Narrating Women’s Stories
» Editors Note: #MoodOfTheMonth for February 2026 is Gender and Literature. We are inviting submissions…
Books
Progressive Intent, Patriarchal Pages: Women In Chetan Bhagat’s Fiction
» Editors Note: #MoodOfTheMonth for February 2026 is Gender and Literature. We are inviting submissions…
Anger, Laughter And Survival: A Dalit feminist Reading Of Bama’s Karukku
» Editors Note: #MoodOfTheMonth for February 2026 is Gender and Literature. We are inviting submissions…
The Female Consciousness In Virginia Woolf And Jean Rhys’ Works
» Editors Note: #MoodOfTheMonth for February 2026 is Gender and Literature. We are inviting submissions…
Queer Desire and Female Friendship in Simone de Beauvoir’s The Inseparables
‘The Inseparables’ becomes a fertile ground to dig for resonances of ambiguity and ambivalence between…
Notes On The ‘Uses Of The Erotic’: Experiencing The Erotic As Feminist Joy
Being in touch with the erotic and its knowledge has reiterated that joy and satisfaction…
Unhinged Women In Fiction And Why Women Just Can’t Get Enough Of Them
» Editors Note: #MoodOfTheMonth for February 2026 is Gender and Literature. We are inviting submissions…
What Charlotte Brontë’s ‘Villette’ Can Teach Us About Women, Independence, And Refusing To Settle
» Editors Note: #MoodOfTheMonth for February 2026 is Gender and Literature. We are inviting submissions…
In Search Of A Room Of One’s Own: Reading Zeenath Sajida And Virginia Woolf
» Editors Note: #MoodOfTheMonth for February 2026 is Gender and Literature. We are inviting submissions…
The Right To An Unhappy Ending: Defending Unresolved Narratives In Feminist Literature
“I did not feel victorious. I felt only tired.” ….. “The Weave of my life”…